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MONKS NEED ASSISTANCE

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URGENT HELP NEEDED  (From Website of the MONKS of NORCIA)

"Et ecce terraemotus factus est magnus"! Behold there was a great earthquake! 

This Easter antiphon refers to the convulsions of the earth at the moment of Christ’s resurrection from the dead. The Gospel mentions an earlier earthquake at the moment of Our Lord’s death on the cross. An earthquake means both death and life: death to what went before, life in new beginnings. Sometimes such a disaster means physical death, as for the 300 people who died in Amatrice and Accumoli, small towns just across the mountains from Norcia.  In Norcia, thanks be to God, no lives were lost. The monastic buildings were severely damaged and some of the monks have been sleeping in tents, but in this we are like so many of our neighbors. 

Monks Praying Outdoors

Monks make a vow of stability, which includes love of the place. We love this place, and so we are committed to rebuilding. Natural disasters have a way of bringing us back to the essentials. The St. Bartholomew earthquake (August 24th) changed our interior landscape and made us look at our present reality with fresh eyes. Just as the resurrection of Christ made all things new, so this earthquake presents the monastery with new opportunities to strengthen our monastic foundations and build more securely for the future. The monastic presence in Norcia is extremely important for the identity of the town, so rebuilding the monastery means giving new life to a town that finds itself sorely tried. Our neighbors count on our solidarity, both spiritual and material. Our rebuilding efforts are directed to two monastic sites in Norcia: one at the Basilica of San Benedetto, the other at San Benedetto in Monte. We humbly ask that you participate by making a financial contribution to this project, which will deepen the monastic roots in Norcia  (a town of about 5,000, with over 50,000 visitors a year) and help bring hope to the people and region.

Daily Masss Said in a Tent


BASILICA OF SAN BENEDETTO The restoration of the basilica built atop the historic birthplace of St. Benedict. No area of the campaign is more important than the basilica of San Benedetto, the birthplace of St. Benedict and his twin sister St. Scholastica. Many people from around the world had already begun participating in the monks’ efforts to beautify the 14th-century Basilica. Thanks be to God, those projects are mostly safe, but the earthquake seriously weakened parts of the church. Vaults need reinforcing, the cupola (dome) needs to be solidified, cracks in the ancient walls need steel bracing. Funds raised will also be used to complete the work of restoration of the side altars already begun and to improve lighting and heating issues which have plagued the building for years.

MONASTERY OF SAN BENEDETTO The restructuring of our monastery in town, where we are a monastic presence to pilgrims and tourists from around the world.
Monks have acted as custodians of this holy place since at least the 12th century. The monastery has two parts. While the 14th-century building attached to the basilica received less damage from the earthquake, the 1960’s era structure which housed the novitiate has been declared unlivable by the civil protection agency. The insides will have to be gutted and re-built. Funds raised will also cover repair costs of the gift shop, library and kitchen which all saw damage to their vaults. We hope that part of this building can be used as the focus of our apostolic and cultural labors on behalf of the many pilgrims who come to Norcia.

Rebilding Began Immediately

MONASTERY OF SAN BENEDETTO IN MONTE The rebuilding of our monastery overlooking Norcia so that we can grow, planting the deep roots of our community in the soil of this agricultural grange. Our friends will recall that restoration work was proceeding on the church of our monastic grange, the property outside the walls, three km from Norcia, which we have long desired as a place of retreat and agricultural work. For many years we have pondered how to accommodate a growing community in the restricted space of the monastery in town. The earthquake has inspired us to re-visit this question, and the community has decided that the time has come to develop the monastery on the mountainside –San Benedetto in Monte. We began restoration of the church two years ago, though the interior was not complete. It resisted the earthquake fairly well, but the façade suffered damage. When we purchased the property in 2007, much of the building had already collapsed from previous earthquakes. The 2016 earthquake finished the job. This means the monastery section must be completely rebuilt, so that it is large enough to house 40-50 monks. The juniors and novices are already camping on the mountain side in tents and pre-fabricated buildings in the hopes of a more-permanent dwelling place. They are already enjoying the silence and solitude of San Benedetto in Monte. Despite the rustic conditions, the environment is wonderfully favorable to prayer and contemplation and we believe it will offer the best environment for monastic life in Norcia to flourish.

Sleeping in Tents


THE BREWERY The construction of a permanent home for our brewery operation, ensuring that, come what may, we can always live by the work of our own hands.

The brewery was already giving 10% of its profits to charity. Now, after the earthquake, we have changed that to 15%. We will also be giving a portion of all funds raised to the people of this town, for whom we pray and intercede, as a material means of lessening their hardships.

GO TO THEIR SITE:  NORSIA.ORG/EARTHQUAKE

Checks can be sent to:
THE MONKS OF NORCIA FOUNDATION
%  FATHER MARTIN BERNHARD, OSB
10685-B HAZELHURST DR. #18857
HOUSTON, TX77043USA




YOUNG LOVER OF CHRIST

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RICHIE FERNANDO was a 26 year old Filipino Jesuit missionary in Cambodia. He was sent to Cambodiabefore his priesthood. There, he worked as a teacher in a technical school for the handicapped. In the school, people who were disabled,  especially landmine victims, learned skills which helped them earn a living. Richie loved his students in Cambodia and encouraged them to share their stories with him.

Among Richie’s students was Sarom, a sixteen-year-old boy who was a victim of a landmine. He wanted to finish his studies there but he was asked to leave by the school authorities for his disruptive attitude. According to Richie, Sarom was tricky but he still had a place for him in his heart.

On October 17, 1996, Sarom came to the school for a meeting. Angered, he suddenly  reached into a bag he was carrying, pulled out a grenade, and began to move towards a classroom full of students; the windows of the room were barred, leaving the students no escape. Richie Fernando came up behind Sarom and grabbed him. Sarom tried to let Richie go, but the missionary held on to him. Sarom accidentally dropped the grenade behind Richie, and in a flash, Richie was dead. The missionary had protected Sarom and the other students from the violence that was about to come.


Four days before he died, Richie wrote to a friend in the Philippines, “I know where my heart is. It is with Jesus Christ, who gave his all for the poor, the sick, the orphan ...I am confident that God never forgets his people: our disabled brothers and sisters. And I am glad that God has been using me to make sure that our brothers and sisters know this fact. I am convinced that this is my vocation.”

Shocked by what he had caused, Sarom sat in his jail cell and mourned too. In March 1997, Mr. and Mrs. Fernando wrote to Cambodia's King Sihanouk, asking for pardon for Sarom; somehow, someone had to stop the violence. Sarom had not wanted to kill Richie. “Richie ate rice with me,” he said. “He was my friend.”

The body of ichie Fernando is buried at he SacredHeartCemeteryin Novaliches, Quezon City

At a retreat earlier in 1996, he wrote:


I wish when I die, that people remember not how great, powerful, or talented I was,
but that I served and spoke for the truth. I gave witness to what is right. I was sincere with all my words and actions. In other words, I loved and followed Christ.






NEW SAINTS FOR MEXICO

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One of the new updates for sanctity announced recently by the Holy Father is VENERABLE PAUL MARIA GUZMAN FIGUEROA, founder of the Eucharistic Missionaries of the Holy Trinity. He was one of those people who left his mark, challenging fate amid adversity, while helping others to follow in the footsteps of Christ.

Venerable Paul was born on September 25, 1897, in the state of Guanajuato, Mexico.

In 1909 he moved to Queretaro, working as a telegrapher for two years and contemplating marriage. He went to school to become a pharmacist, even opening his own pharmacy, but then he met the Venerable Servant of God Father Felix Jesus Rougier, founder of the Missionaries of the Holy Spirit. His life took a 180 degree turn and in1919, he entered the novitiate. 

In 1923 he was ordained, becoming a missionary in Mexicoand in other Latin American countries. In 1936, he felt called to found the Congregation of the Eucharistic Missionaries of the Holy Trinity. The following year, he started the Missionary Auxiliary Daughters of Soledad de Maria, opening the doors to lay women who wanted to join his work. The two foundations live the Spirituality of the Cross.


Because he was interested in Catholic education, he opened several colleges along with Mother Enriqueta Rodriguez Noriega. Taking advantage of modern travel, he transversed the world spreading the faith and making new foundations.

 He was always grateful to God for the gift of priesthood. He was a priest close to the people, frequently visiting their homes and encouraging them with his infectious joy. He sought holiness in the simple things every day.

On February 17, 1967, in Mexico City, he died with a reputation for holiness. The slogan that marked his priestly life was "God and souls."


MEXICAN MOTHER of MERCY

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As we near the last weeks of this Year of Mercy, we present
VENERABLE MARIA de JESUS GUIZAR BARRAGAN, the second Mexican to recently be named venerable by Pope Francis. She could be called a modern day saint of MERCY.  She was the  5th of 16 children born to Don Emiliano Guizar y Valencia and Lucia Barragan Guizar in 1899 in Cotija, Michoacan. She was a teacher of catechism in her early teens, showing the children the gentle face of the Father. She visited the sick and imprisoned showing the tenderness and mercy of God. The dying she told not to be afraid to go to the presence of such a good Father who gives mercy to all who are sorry for their sins.
As a young woman

At age 15 she suffered from a near fatal illness, leading to serious reflection, which led to her dedicating herself to God.

In 1961 she founded the Guadalupan Handmaids of Christ the Priest to care for elderly and sick priests.  About the priests she would say, if they have given everything for the Church our mother, then we must take care of them with love and mercy.Till her dying day she dedicated her life to the sanctification of priests.

She died in 1973.  At the centenary of her birth (1999)  the  Apostolic Nuncio Justo Mullor in his homily said: She is one of those voices that the Holy Spirit wants to be felt with urgency and insistence inviting all believers in the Church to purify not only our miseries and sins, but also superfluous cultural adhesions and to focus our personal and community lives in all that is essential and to put our wills in tune with the will of God.”  


Ministering to the poor

With her Community
She showed the tenderness and mercy of God to others and is a great example to the Mexican people.


CHRIST THE KING of MERCY

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This past week many of us saw the supermoon, not seen since 1948, and not to be seen again till 2034. This image of Christ the Redeemer (Rio de Janeiro) is one of those "pictures worth a thousand words"!


As today ends the Jubilee Year ofMercy, let us journey into a new year with continuing faith and hope in the Lord’s Mercy for us now and always.

ADVENT- THE CLOISTERED LIFE

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Pope Francis has set Nov. 21, the Feast of the Presentation of Mary in the Temple, as a day to pray for and support cloistered and monastic religious. It is called WORLD DAY of CLOISTERED LIFE, also known as Pro Orantibus Day (“For Those Who Pray”).


Since this coming Sunday starts the beginning of ADVENT  (yes, it is very early this year) I thought it appropriate to use this as our theme this year- focusing on the Contemplative life, which should be for all Christians who strive to follow in the footsteps of Christ.

We must all make a place for the Christ-child who is to come into our hearts. Advent is that time of silence and the sense of wonder and waiting that is necessary to prepare our hearts for His birth. 

What do we mean by the Cloistered life? Many, especially in our un-churched Northwest ask what we do all day with our lives, behind these walls.

Cloistered religious embody lives “hidden with Christ.” Within our monastery walls we offer prayers and sacrifices that go unnoticed to most of the world. “By their lives of silence, solitude and sacrifice they obtain the graces needed for countless souls to experience the merciful love of God in ways we can only imagine! In Our Lord’s revelations to St Faustina, Jesus speaks of “chosen souls” who are invited to share in His mission of mercy. Our Merciful Savior states that these special souls “fill my Heart with joy. They bear My features; therefore the Heavenly Father looks upon them with special pleasure....Their number is small. They are a defense for the world before the justice of the Heavenly Father and a means of obtaining mercy for the world. The love and sacrifice of these souls sustain the world in existence” (Diary, 367).”

In his recent Apostolic Constitution, Vultum Dei Quaerere, Pope Francis reflects upon the vital importance of cloistered contemplatives in the life and mission of the Church. He notes that the contemplative monastic life “is rooted in the silence of the cloister; it produces a rich harvest of grace and mercy.” The Holy Father also reminds those who embrace such a sublime calling that “the Church greatly esteems your life of complete selfgiving” and “counts on your prayers and your self-sacrifice to bring today’s men and women to the good news of the Gospel.”

OLR Chapel on a Winter Night

As we celebrate World Day of Cloistered Life, let us remember these contemplative religious who in convents, monasteries and hermitages give of themselves selflessly to God in hidden sacrifice and in silent work. Let us always assist these dedicated souls by our spiritual and material support, in whatever way we can, even if it is like the poor widow who offers two small coins. We are aware that God is never outdone in generosity and that we each will be judged not on the amount we give to others, but on the intensity of love that is behind the gift. 

Let us invoke Our Lady who gave of herself totally to the Lord and shares intimately in her Son’s mission of Mercy. She, who dedicated herself to God in the Temple as a young girl and who the Church as always looked upon as the summa contemplatrix, demonstrates for all believers the need to immerse ourselves in the Lord so as to see things with spiritual eyes and to respond generously by faith, hope and love.



BLESSED IN CANADA

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Our neighbors to the north have some new saints added to their list of very holy men.
BL. FREDERIC JANSSOONE, O.F.M.,was a popular preacher who re-established the Order of Friars Minor in Canada.
The greatest desire and prayer of Bl. Frederic was to help others come closer to God. His ministry as a Franciscan took him to many places, from Europe, to the Holy Land and then to North America, where he died.
He was born in Flanders in 1838 as the youngest of 13 children in a wealthy farming family. Frederic was nine when his father died, and he dropped out of school to work as a traveling salesman in order to help support his family. His mother died when he was 23. He completed his studies and then entered the Franciscans. He was ordained in 1870, and served as a military chaplain during the Franco-Prussian War.
He was then sent to the Holy Land, where he reinstated the Stations of the Cross in the streets of Jerusalem, built a church in Bethlehem, and negotiated an accord among the Roman, Greek and Armenian Christian churches concerning the sanctuaries of Bethlehem.

He first came to Canadain 1881 on a fundraising tour, but eventually moved permanently to the country seven years later. He helped to develop the popular shrine of Our Lady at Cap-de-la-Madeleine, Quebec. He wrote biographies of the saints, newspaper articles and sold religious books door to door.

He died of stomach cancer in Montreal in 1916 and is buried in Trois-Rivieres, Quebec, a city close to the Marian shrine he helped to develop. Pope John Paul II beatified Frederic in 1988.


ADVENT- CONTEMPLATING BIRTH AND HOPE

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As the world  longs for Advent, we are reminded why Jesus was born in Bethlehem. This preparation time reminds us of the state we were in before that miracle birth happened, and what would have become of us if God hadn't done the unthinkable and become man.  Humankind was at its
Bradi Barth
darkest hour, the light was all gone. The distance between us and God was insurmountable. How could we ever bridge the chasm that separated us? But we were not without hope. As we continue through this Advent let us keep in mind our struggle to remain faithful to our call as lights in the world, be it through the active or cloistered life.

On September 8, 2016, Pope Francis received in audience some 250 participants in the congress of Benedictine abbots and abbesses gathered in Rome to reflect on the monastic charism received from St. Benedict and their faithfulness to it in a changing world.

This theme acquires special meaning in the context of the Jubilee of Mercy since, as Pope Francis affirmed, “if it is only in the contemplation of Jesus Christ that we perceive the merciful face of the Father, monastic life constitutes a privileged route to achieve this contemplative experience and to translate it into personal and community witness.”

"Today’s world clearly demonstrates the need for a mercy that is the heart of Christian life and “which definitively manifests the authenticity and credibility of the message of which the Church is the depository, and which she proclaims. And in this time and in this Church, called to focus increasingly on the essential, monks and nuns safeguard by vocation a peculiar gift and a special responsibility: that of keeping alive the oases of the spirit, where pastors and faithful can draw from the wellsprings of Divine Mercy.

With the grace of God and seeking to live mercifully in their communities, monks and nuns “announce evangelical fraternity from all their monasteries spread out in every corner of the globe, and they do so with that purposeful and eloquent silence that lets God speak out in the deafening and distracted life of the world.”
Therefore, although they live separated from the world, their cloistered life “is not barren: on the contrary, an enrichment and not an obstacle to communion.”



May the  lovely poem of the Carmelite nun, Sr. Miriam of the Holy Spirit  (Jessica Power) inspire us to seek the Child and hold Him in our hearts and keep Him nestled within as Our Lady did.

In Mary-Darkness

I live my Advent in the womb of Mary
And on one night when a great star swings free
From its high mooring and walks down the sky
To be the dot above the Christus i,
I shall be born of her by blessed grace.
I wait in Mary-darkness, faith’s walled place,
Italian

With hope’s expectance of nativity.
I knew for long she carried me and fed me,
Guarded and loved me, though I could not see,
But only now, with inward jubilee,
I come upon earth’s most amazing knowledge:
Someone is hidden in this dark with me.



ANOTHER BLESSED IN CANADA

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BLESSED VASYL VELYCHOCSKY was born in 1903 into a priestly family in Western Ukraine. His father was a priest, as were both his grandfathers. After serving as a rifleman in the First World War, Vasyl entered the Major Seminary in Lviv, Ukraine. During his diaconal year, in 1924, he joined the Redemptorist Congregation. He was ordained to the priesthood in 1925, in Stanislaviv. Early on, his gift of preaching was recognized and he was assigned to give parish missions in the Volyn region.
During this period, the region was under Polish control and there was strong pressure for the Ukrainian Greek Catholic Church to become polonized. Father Vasyl refused to do this. Instead, he strived to unite the faithful under Metropolitan Andrey Sheptytsky. Because of this, he was forced to leave Volyn in 1935. He returned to Stanislaviv where he spent the next several years giving traditional Redemptorist two-week-long missions. In June 1940, with the Soviets occupying Western Ukraine, Father Vasyl led a procession of some 20,000 people through the streets of Stanislaviv on the occasion of the feast of Our Mother of Perpetual Help.
In 1942 he became abbot of the monastery in Ternopil. Because of religious persecution by the Soviet Government he was arrested in 1945 by the NKVD and sent to Kyiv. The punishment of death was commuted to 10 years of hard labor. He was given the opportunity to join the Russian Orthodox Church and be released. Father Vasyl refused. With an authoritative voice he replied: “No, never! Under any circumstances . . . I have said NO once and for all; and you can shoot me, and kill me, but you shall get from me no other word.”
Over the next 10 months Father Vasyl was tortured until he confessed to crimes he never committed. He was interrogated 11 times. Usually these were conducted at night and lasted up to 12 hours. Sleeplessness, isolation, food deprivation, physical and moral abuse helped to breakdown his willpower until he finally confessed to anti-Soviet activity.

His trial was held on June 26, 1946. Without representation or witnesses, he was quickly found guilty and sentenced to execution by firing squad. He spent the next three months on death row, but even there preached, heard confessions and help prepare fellow prisoners for death. One day his name was called. He left his cell ready to give up his life for his beliefs. However, his sentence was changed to 10 years of hard labour in the Soviet laager camps, working under the worst possible conditions. During this time Father Vasyl heard confessions, preached and even celebrated the divine liturgy daily, using a large tablespoon as his chalice and wine made from raisins.
 On release in 1955 he went back to Lviv, and was secretly ordained in 1963. In 1969 he was imprisoned again for three years for his religious activities. Released in 1972, he was exiled. Stricken with a heart disease stemming from his imprisonment, the metropolitan told a Canadian audience, "The prisons and camps ruined my health and my strength, but this was my fate; the Lord God placed this cross on my shoulders." 
He died two weeks later in Winnipeg on June 30, 1973.

Thirty years after his death, Vasyl Velychkovsky's body was found to almost incorrupt. On June 27, 2001, Bishop Vasyl was beatified by Saint Pope John Paul II in a ceremony in Lviv. Then, in September 2002, Bishop Vasyl’s body was transferred to a shrine built in St. Joseph’s Ukrainian Catholic Church in Winnipeg. Upon exhumation, it was found that his body remained fully intact, considered a sign of sainthood.

Today, the Blessed Vasyl Velychkovsky Shrine is visited by thousands of pilgrims annually, with many denominations represented. His story is a source of inspiration and his relics have become a source of healing. Moreover, in no small measure, Bishop Vasyl’s faith, enthusiasm and courage ensured the life of the Ukrainian Catholic Church in her homeland during a time of fierce persecution.

With Ukranian  Redemptorist Martyrs (Nicholas, Zenon, Ivan)

ADVENT- THE WILL OF THE FATHER

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“Consecrated life is a gift to the Church, it is born of the Church, it grows in the Church, and it is entirely directed to the Church,” Pope Francis said October 28. 

"Bishops should be particularly attentive to communities of contemplative sisters. These are “torches to guide men and women along their journey through the dark night of time,” and “sentinels of the morning, heralding the dawn.”

The contemplative life is not a special kind of life, but should be the Christian life, nothing more and nothing less. It is life formed by the Father’s  revealing Word, who is Christ. This Word must be read and heard, meditated and prayed.


The contemplative tradition emphasizes that God is mindful of us and continues to show us our place in salvation history, which is nothing less than doing His will.  We learn to be attentive to the Father and His gift to us of His Son through the Virgin Mary. Mary’s song exemplifies the contemplative tradition because it celebrates the activity of God in human life. While she is initially troubled by God’s plan for her, she agrees to become the Mother of the Savior, thus carrying out  the Will of the Father, which will effect all of humankind. This Advent we celebrate that very reality in our own lives. 



Prayer of Evelyn Underhill (1875-1941), a widely acknowledged English scholar and mystic:

Lord! Going out from this silence, teach me to be more alert, humble, expectant, than I have been in the past: ever ready to encounter you in quiet, homely ways: in every appeal to my compassion, every act of unselfish love which shows up and humbles my imperfect love, may I recognize you: still walking through the world. Give me that grace of simplicity which alone can receive your mystery. Come and abide with me! Meet me, walk with me! Enlighten my mind! And then, Come in! Enter my humble life with its poverty and limitations as you entered the stable of Bethlehem, the workshop of Nazareth, the cottage of Emmaus. Bless and consecrate the material of that small and ordinary life. Amen.


THE SEASON OF THE GOD-SEEKER

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Pregnant Virgin-Hungary
During these weeks of Advent, we prepare for the celebration of Christ’s birth through prayer and reflection. Amid the last minute flurry of Christmas preparations, we must look for practical ways to observe the holiness of this time.  The contemplative experience is not only for nuns and monks but for all Christians.

"Advent is the season of the God-seeker. . . . May God help us to wake up to ourselves and in doing so, to move from ourselves toward Him."
                          Alfred Delp, S.J.  Advent of the Heart, Seasonal Sermons and Prison Writings





Last Monday was the feast of Our Lady of Guadalupe. The reading was Mary hastening to visit Elizabeth, as she has just heard she too is with child.  What always flies into my mind when I I hear this Gospel reading is Thomas Merton’s poem “The Quickening of St. John the Baptist (On the Contemplative Vocation)”.

You have trusted no town with the news behind your eyes.
You have drowned Gabriel's word in thoughts like seas
And turned toward the stone mountain
To the treeless places.
Virgin of God, why are y
our clothes like sails? 

I have often thought if I was an artist I would paint this image of Our Mother flying with sails!

In this last week of Advent, many feel the weight of things to still be done, baking, last minute shopping, meal planning, etc. Yet the Church summons us to stop and be still for a while with the Mother of the Lord. While we rush around, in celebration of the birth of our Savior, there is an irony in the fact that Mary herself was most tranquil. Yes she did fly off to meet her cousin in the early days, with the intent of sharing the good news for both and to care for Elizabethin her last days.  She who is to be the Mother of God, only has a care for someone else.

Let us take example from Mary, and focus our attention in quiet, even for a few minutes each day this week, as we prepare to celebrate His Love for us!




JESUS BORN FOR ALL PEOPLES

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Erland Sibuea- Indonesia

One of the wonders of art today around the world, is we get to see how different cultures view the coming of Christ.  “Behold, I bring you tidings of great joy, which shall be to ALL the people. For unto you is born this day in the city of David a Savior, which is Christ the Lord.” (Luke 2:10)

When an artist tries to convey what is in his/her heart as a message to us, they are not usually worried about historical accuracy, but rather how does the art speak to people here and now.



For Christmas  week  we present some contemporary portrayals of the Nativity which  open up to us the fact that Jesus Christ was born for all people of all ages. 
            A  BLESSED CHRISTMAS TO ALL!

UNIVERSAL CHILD

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Ethiopia- Unknown
The various works of art from across the globe show us great unity in the mystery of the Incarnation and on the other hand  great diversity around the new born King.

These artists take the Christ Child to them and reflect it in their own understanding, their own tradition, their own culture. Because the Incarnation is for all people in all places, then it should become cultural and have different expressions in different cultures. The birth of Jesus is where God meets everyone of us!


Sawai-Chinnawong - Thailand



NATIVITY ACROSS THE GLOBE

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Culture is what holds us together, preserving language, thought patterns, ways of life, attitudes, and symbols. It  is celebrated in arts, music, drama, literature and life.  It constitutes a collective memory of the people, a collective heritage which will be handed down to generations to come. ( The World Council of Churches-Vancouver Conference in 1983)


One of my favorites is by the  Lithuanian artist Antanas Kmieliauskas (b. 1932), which shows people surrounding the Mother and newborn Child, most probably people he knew well.   I love the subtle, almost pastel colors. Antanas was a professor of Vilnius Academy of Arts, National Prize winner of Lithuania, and one of the most comprehensive Lithuanian  painters of the 20th C.  He worked in many media from painting and sculpture to graphic art.

The bulk of his art, particularly the works of his religious art, has been undeservedly ignored over a long period of time. The artist's original creation based upon both fundamental classical and Modern European art traditions is a significant part of the fine arts of Lithuania as well as of Lithuanian culture on the whole.

Another interesting and very different work is by the Aboriginal artist  Greg Weatherby (b. 1942).  “A daring, original work that sets Jesus Christ’s birth in the Central Australian outback. In bold, earthy colors native emus, goannas (lizards), kangaroos and Dreamtime Beings pay homage to the new-born Child. Millions of stars illuminate the Great Ancestor’s omnipresent hands while presenting the divine Gift to Aboriginal Spirit parents near legendary Uluru”.

Greg is one of the most renown of Aboriginal painters. His work uses a kind of hatching and dot painting that is very common there and was traditionally painted onto skin for ceremonial reasons. The method itself is significant, as it reputedly withholds or encodes information in the dot patterns.

Greg’s Aboriginal heritage is Walbanga from the far south coast of New South Wales, and his tribal totem is the shark.



The Japanese artist Yo (Hiroshi) Iwashita (b. 1917)  was basically a stencil and wood block artist known for his rich textile patterns of a type of folk art, often using humor. I love how the Virgin Mary seems to have her hand on Joseph, as if acknowledging his protection of her and the Child.


Cesar Torrente Legaspi (1917-94) was a Filipino National Artist in painting. He was also an art director prior to going full-time in his visual art practice in the 1960s. A pioneer “Neo-Realist” he is remembered for his singular achievement of refining cubism in the Philippine context. Legaspi belonged to the so-called “Thirteen Moderns” and later, the “Neo-realists”. 

C. Legaspi
His distinctive style and daring themes contributed significantly to the advent and eventual acceptance of modern art in the Philippines. He made use of the geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power and intensity.

S. Raj

Solomon Raj  from India (b. 1921) uses batik and woodcuts, cheap materials that are readily available. He depicts Jesus amidst the refugees and suffering people.
Rooted in his love for the Gospel and his appreciation for his Indian heritage, he has spent a lifetime telling us to see and to believe. He is a master at intercultural communication taking stories buried in his heart of faith and openly sharing them through his unique creative vision.

He has written:  We know that the concept of culture is very complex indeed and it includes many things such as the community's language, its religion and ritual, its arts and crafts etc.  Culture is a  community's world view, of its hopes and fears, its expectations and shared values.  Culture is like a mass of computer data into which every individual of that community can draw from.  It is a community's collective memory and its stored heritage which every generation passes on to the next.

HOLY INNOCENTS - SORROW AND JOY

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Sarah Hempel Irani- USA

Our Lady of Guadalupe Abbey
Pecos, New Mexico
“A voice was heard in Ramah, weeping and loud lamentation, Rachel weeping for her children; she refused to be comforted, because they are no more”.
(Jer. 31:15)


Today we have the feast of the HOLY INNOCENTS, a disturbing incident in salvation history. It is as if the Lord wants to remind us that even in the midst of rejoicing there can be sorrow. In our time the slaughter of innocents goes on through abortion and war. At this holy time, our prayer must be for all who perish due to sin and ignorance.


FLIGHT from the MODERN WORLD

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Saincilus Ismael-  Haiti
All through the Christmas season, we find cultural differences in the art for this joyous and grace-filled  time.  Here are a few of my favorites.


Saincilus Ismael was born in Petite Riviere de l’Artibonite, Haiti in 1940. He was educated by the Friars of St. Mark and at AntenorFerminHigh School

 Ismaël led a full and rich life. An agonomist as well as an artist, he was also a political activist. He spent seven years in prison for opposing the Duvaliers, Papa and Baby Doc. Even so, thanks to the popularity of his art, he died a relatively wealthy man by the standards of his homeland: his estate included a Volkswagen.

   The artist spent most of his creative life in Deschapelles as director of an art center associated with an American medical and religious mission. He trained scores of students and exerted a powerful influence on artists working in the 'Artibonite style,' two features of which are elaborately decorated clothing and backgrounds.


   Ismaël has been exhibited worldwide and appears in most surveys of Haitian art published since the 1970s
He was closely associated with Doctor and Mrs. Mellon at the AlbertSchweitzerHospitalin Deschapelles where he supervised the CeramicsCenter. Ismael developed a style that was instantly recognizable, scenes of Haitian peasant life rendered with the intricacy and precision of a Byzantine icon. In an Ismael painting, every garment of a subject's clothing would be a different geometric pattern, as would the houses and the trees.  It is said in Haitithat Ismael's output grew tenfold after his death. 




Gebre Merha was born and raised in the ancient holy city and former imperial capital of Axum (Aksum).  He learned iconography in the traditional manner, passed down for generations in his family of distinguished artists.  He now lives and works in Addis Ababa, Ethiopia

His family provides him with wood for his carvings and paintings from the mountains surrounding Axum, where the trees are still felled by hand-axe. His icons are painted in glue-based distemper paint and acrylic on un-gessoed wood.  In addition to traditional icons, Gebre paints African designs in acrylic


An almost shocking piece of art, is Louis Kahan's
Flight, with its modern escape from what looks like a city in ruins  (representing our present age?) with the protective Joseph at the wheel of a jalopy. Mary is in the back with the Child, protecting Him.  On top of the vehicle are a saw and hammer (to show Joseph's trade) a spinning wheel, and various pieces of luggage.  The car is obviously breaking through barbed wire, which symbolizes (?) the tyranny under which they are escaping.  It is a bold work of art, very expressive for our day and age.


Louis Kahan (1905- 2002) was an Austrian-born Australian artist whose long career included fashion design, illustration for magazines and journals, painting, printmaking and drawing. He is represented in most major collections in Australiaas well as in Europe and USA. He won the Archibald Prize in 1962 with a portrait of Patrick White. 

He enlisted in the French Foreign Legion in 1939 and was sent to Algeria, North Africa as a war artist, although he had never received any formal art training. He had an exhibition at Oran in 1942. He was a voluntary artist for the Red Cross between 1943 and 1945. During this time, photography of soldiers was not permitted. Louis made over 2,000 drawings of wounded soldiers being cared for in the hospital at Oranand these were v-mailed (an early form of microfilm) to the families of soldiers. When he found that the originals were being destroyed after transmission Louis began to save them and over 300 were later given by him to the RedCrossMuseum in Washington, USA.   


In his paintings, prints and drawings Louis explored many interests and themes, including dreams, death, and his own life. Childhood games, portraits and nudes were ongoing subjects. Symbolism particularly characterizes his later works. Later, dreamlike prints and paintings often show his tools of the trade: palette, brushes, tailor's scissors and tape. These represent a kind of metaphorical self-portrait and life history.


ALOHA IN PARADISE

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Calley O'Neill (Hawaii)



It is no coincidence that the monastery's patron saint of the year is Saint Marianne (Cope) of Molokai, since I once again find myself in this glorious paradise, where I will spend 2 mo. of water PT staving off back surgery. I will focus on history, news, etc. of the Big island of Hawaii.

Our first artist is a local,  who did the windows in the Annunciation Church where we go to Mass. This Madonna and Child is in the small side Eucharistic chapel, where I daily receive the Eucharist.


Calley O'Neillgraduated from the Pratt Institute (NY) Summa Cum Laude, getting her Master's at Goddard College (Vt), where I got my Master's. She considers herself an ethno-visionary artist, whose themes are indigenous cultures, which have become vulnerable, through politics or mismanagement of natural resources.

Endangrered Frog
She was inspired by Frances Moore Lappe's “Diet for a Small Plant” (which had a profound impact on many of us in the 70s). It made her aware of the world's plight, especially hunger. She decided to dedicate her art to making affluent countries aware of vulnerable peoples and endangered animals across the globe, while at the same time offering hope for the future.

She is also noted for her murals in public 
places throughout the islands.

Mural of the Annunciation

THE BEAUTY OF HAWAIIAN WOMEN

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Hawaiian Bride
I was so sure that after I was here in Hawaii a year ago, I did a Blog on a wonderful local artist, but find this was not the case. My first day here we went into the small, very choice museum in Waimea to say hello to the director who is the aunt of my sheep shearer.
MADGE TENNENT was a naturalized American artist, born in England, raised in South Africa, and trained in France. And while she ranks among the most accomplished and globally renowned artists ever to have lived and worked in  Hawaii, she isnot today that well known internationally,.something the locals are trying to amend!
Madge's parents took a lively interest in comparative creeds that embraced many religions, as well as in matters of psychic and astrological trend. Their efforts to promote tolerance among various races and creeds left a lasting impression on Madge.
A child prodigy, Madge spent her formative teenage years in Paris, where she honed technical mastery under the tutelage of William-Adolph Bouguereau. She was also exposed to the city's leading avant-garde artists, including CezanneRenoir and Picasso, who influenced her pioneering vision. 
After her marriage in 1915 to Hugh Cowper Tennent, she relocated to his native New Zealand. In 1917 they moved to British Samoa where Madge started her love affair with the Polynesian peoples. While on leave in Australia, she studied with Julian Ashton “and learned” she said, “to draw for the very first time". Julian Ashton founded the Sydney Art School in 1890. He was an ardent disciple of Impressionist painting, having served as an art educator in South Africa, New Zealand, and British Samoa.
Local Color
The Tennents arrived in Honolulu with their two young sons in 1923, planning on a three-day stop before continuing on to London to enroll the boys in a proper British boarding school. Almost immediately they were introduced to members of the local artistic community, who saw her Samoan studies and begged her to stay and paint the Hawaiians. She needed no further persuasion.

Lei Queen Fantasia



The Hawaiians are really to me the most beautiful people in the world:, she once said, “no doubt about it – the Hawaiian is a piece of living sculpture. They are strong, serene and proud.” . Using grand swirls of oil Madge portrayed Hawaiian women as solidly fleshed and majestic- larger than life - capturing in rhythmic forms the very essence of their being.
Her method of applying thick layers of paint to achieve a graceful, perfectly balanced composition is evident in “Lei Queen Fantasia”. Everything on the canvas whirls. The paint is applied in whirls in what might be called the “Tennent whirl” – the colors bright and luminous. Madge envisioned Hawaiian Kings and Queens as having descended from Gods of heroic proportion, intelligent and brave, bearing a strong affinity to the Greeks in their legends and persons. She was criticized for her portrayal of larger size women but to her Hawaiian women fulfilled the standards of classic Greek Beauty.

In Madge's enchantment with color and use of the bright, warm hues she gave us insight into the colors endemic to Hawaiʻi. Generously applying paint with a palette knife, she avoided sensuousness in the representation of skin texture, instead imbuing the trademark sense of strength and grandeur tinged with a fragility. Just as she constructed her women layer by layer in paint, she built her canvases to equally monumental proportions; when standard issue could no longer satisfy her vision, she sewed pieces of canvas together to attain the desired size.


Dancer at Rest
Her refusal to feel entirely satisfied with her output, even in the face of widespread acclaim, reflected her conviction that the artist “evolves through conscious effort.” This conscious evolution became strikingly apparent in the early 1940s, when her famously vibrant, swirling colors and thick, granular strokes gave way to a subdued monochrome. Thereafter followed paintings in shades of ocean blues and earthy island sepias on linen. 






Madge's prolific output spanned paintings, drawing and sculpture. Her reverent fascination with Hawaiian women inspired her sweeping aesthetic quest that would culminate in her iconic signature style, resulting in enormous paintings of voluptuous female figures of brilliant, swirling hues morphing into graceful, harmonious compositions.


A prominent figure on the international circuit, she exhibited to critical and popular acclaim around the world. At the time of her death, many critics considered her the most important individual contributor to Hawaiian art in the 20th century


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In 2005, Hawai'i Preparatory Academy (which Karen's two children attend) was chosen by the Trustees of the Tennent Art Foundation, founded in 1954 by Madge Tennent herself, to become the caretaker of the collection. You can be sure I will go back many times to bask in this glorious collection- which is the largest of Madge's works anywhere in the world.
















THE CHURCH IN HAWAII- FIRST BISHOPS

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This past week the priests in the Diocese of the Hawaiian Islands had their annual retreat on Oahu. Father Steven from Waimea attended. This caused me to look up the present Bishop and the history of the Church in Hawaii. During its mission period (1827-1940), the Catholic Church in Hawaii had six bishops. Officially referred to as vicars apostolic, they all belonged to the France-based Congregation of the Sacred Hearts who sent the first Catholic missionaries to Hawaii in 1827. They were missionaries in the true sense of the word, leaving a legacy that has influenced the Church in Hawaii even up to modern times.

Bishop Rouchouze  (1833-1843)

Hawaii's first missionary bishop, Stephen Rouchouze SS.CC. was a Frenchman. He was consecrated a bishop in 1833 at the young age of 35 to head the mission of "Eastern Oceania" which included the islands of Hawaii, Tahiti, Gambier, Marquesas and Tuamotu. He was stationed in Gambier in 1835, and after religious freedom was permitted in Hawaii, arrived here on May 15, 1840.

On June 6, the eve of Pentecost, he baptized 195 native Hawaiians at the Honolulu mission on Fort Street, signed a contract on June 22 for the building of the Cathedral of Our Lady of Peace; and in December ordained Sacred Hearts Father Bernabe Castan to the priesthood, the first ordination in Hawaii.

Bishop Rouchouze sailed for Europe on January 3, 1841, to gather more missionaries and supplies for his Pacific missions. But on his return voyage in early 1843, his ship, the "Marie-Joseph" sank and all were lost at sea.

Bishop Miagret (1847-1882)

A French Sacred Hearts priest who worked with Bishop Rouchouze in Gambier and Hawaii, Father Louis Maigret, SS.CC. was exiled from Hawaii in 1837, along with the dying Sacred Hearts Father Alexis Bachelot. They left Honolulu bound for Ponape on November 23, 1837. During the voyage, Father Bachelot, Hawaii's first Catholic priest, passed away and was buried in Ponape by Fr. Maigret.
Made a bishop in 1847, Bishop Maigret completed the cathedral planned by his predecessor in 1843; founded the island's first Catholic school, Ahuimanu, in 1846; and brought in Hawaii's first nuns, the Sacred Hearts Sisters, in 1859.


Bishop Maigret ordained Father Damien de Veuster in the Honolulu cathedral on May 21, 1864, and in 1873 assigned him to Molokai.  In late 1869, he attended the First Vatican Council in Rome.
Bishop Maigret died on June 11, 1882, after 42 years of service in Hawaii, 35 of those years as a bishop. He is buried in a crypt below the cathedral sanctuary.



Bishop Koeckemann (1882-1892)

German-born Bishop Herman Koeckemann, SS.CC. was a brilliant scholar. He arrived in Hawaii in 1854 as a young priest and was assigned continually to the Honolulu mission. He was made coadjutor bishop, one designated to follow the present bishop, on August 21, 1881, to assist the aging Bishop Louis Maigret.

Bishop Koeckemann became Hawaii's third vicar apostolic following Maigret's death nearly a year later. With a diminishing population of the native Hawaiians, his administration saw a new apostolate with the growing numbers of Portuguese immigrants. A strong advocate of education, he introduced the Marianist Brothers to staff Catholic boys' schools in Honolulu, Wailuku and Hilo. He welcomed then Mother Marianne Cope and her Franciscan Sisters of Syracuse to work with Hansen's disease patients in Honolulu and Molokai.

The bishop's relationship with Father Damien was stormy at times, but he always showed a fatherly concern for the great "Apostle of Molokai."

Bishop Koeckemann died shortly after being stricken with paralysis on February 22, 1892. He was finally laid to rest under the tall iron cross in the Catholic cemetery on King Street near downtown Honolulu.

Bishop Ropert   (1892-1903)

Father Gulstan Ropert, SS.CC. came to Hawaii from France in 1868 and was assigned to Hamakua on the Big Island, where he immediately fell in love with the Hawaiian people. He made Waipio Valley his center and had Father Damien, his neighbor in Kohala, build a couple of chapels there.
After fifteen years in Hamakua and nine years in Wailuku, Maui, he was appointed bishop, despite his protests, on September 25, 1892. He continued his predecessor's support of education by building Catholic schools. and assisted the Franciscan Sisters with their hospital in Kalaupapa.




In December, 1892, Bishop Ropert constructed an impressive two-story residence for the mission fathers on the cathedral grounds and erected the statue of Our Lady of Peace that still stands in the cathedral courtyard.
Bishop Ropert's administration witnessed the overthrow of the Hawaiian monarchy and the eventual annexation of Hawaii by the United States. The bishop was a good administrator, mild-mannered, and extremely kind and patient. Many say that his disposition suited well the quiet conducting of the affairs of the Catholic mission through Hawaii's disturbing political era.

After patiently bearing an illness for several years, Bishop Ropert died on January 4, 1903. He is buried next to Bishop Koeckemann at the King Street Cemetery.

LOS ANGELES BISHOP IN HAWAII

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Mass on Sunday
This week in Hawaii my favorite bishop ( this does not include archbishops!). was in Honolulu. I introduced Karen (our Oblate here in Hawaii) to him last year and she is an avid fan. She thought it would be a great idea to fly over to Oahu to hear and meet him, but things did not quite work out. We were able (after a bit of effort) to stream the lecture and Mass.

(The photos were taken from his Facebook)

Bishop Robert Barron was the speaker at the diocesan Red Mass, Jan. 17 at the Cathedral Basilica of Our Lady of Peace in downtown Honolulu. His topic was “The Noble Project: Law, Politics, and the Gospel.”

Bishop Larry Silva presided at the annual public liturgy that is the Church’s prayer to the Holy Spirit for wisdom and guidance for the islands’ public servants. Present were members of the state’s executive, legislative and judicial branches, city and county officials, faith leaders, and others.

Bishop Barron's talk addressed “the natural law,” which, according to St. Thomas Aquinas, “is a reflection of the eternal law of God and is, in turn, the ground for all of our positive laws.”

When the relationship between God’s law, the moral law, and political law is lost, our society suffers,” the bishop said. “Human law at its best participates in the lawfulness of God and is in service of love and justice.”



A tradition in Hawaii since 1955, the Red Mass is customarily celebrated in January, to mark the opening of the state legislature. The Red Mass was introduced in the United States early last century from Europe where it has been celebrated for 700 years. It is an annual event in Washington, D.C., and other major mainland cities. The Mass is named for the color of the vestments used for a Mass of the Holy Spirit.

Mass in Kalaupapa (St. Damien's Church)

The night before Bishop Barron gave a talk on the 7 Keys to New Evangelization.

At the Mass on the 17th Bishop Barron said the highlight of his trip was the pilgrimage to Kalaupapa to visit the site of Hawaii's two great saints: Damien and Marianne. Mahalo and Aloha!
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